Goldmen Concert 100% Goldman - De Goldman à Frédéricks Goldman Jones - Tournée 2026

At Halle Tony Garnier: GOLDMEN - CONCERT 100% GOLDMAN - De Goldman a Fredericks Goldman Jones - Tournee 2026

Halle Tony Garnier is delighted to welcome the Lyon stop of GOLDMEN - CONCERT 100% GOLDMAN - De Goldman a Fredericks Goldman Jones - Tournee 2026, a full-scale celebration of the songs that have soundtracked generations. From our vantage point as one of the city’s landmark concert halls, we know what it takes for an arena-sized tribute to feel intimate yet electrifying: clarity in the vocals, warmth in the arrangements, and a staging that lets every chorus rise to the rafters. This production brings the enduring charisma of Jean-Jacques Goldman’s repertoire to life, traversing the solo years and the Fredericks Goldman Jones era with a setlist designed to resonate from the first note. Expect the joyful pulse of “Encore un matin,” the urgency of “Il suffira d’un signe,” the irresistible drive of “Quand la musique est bonne,” and the heartfelt uplift of “Je te donne.” When “Envole-moi,” “Là-bas,” and “Au bout de mes rêves” echo across our vast hall, the audience’s voice becomes part of the orchestration. Our technical teams tune the sound for panoramic sweep and precision, so that the gentleness of “Comme toi,” the confession of “Pas toi,” or the night-lit glow of “Nuit” carry with the same intensity as stadium anthems like “On ira” and “À nos actes manqués.”

Artistic momentum and a live production tailored for Lyon

The success of this project rests on a simple, demanding promise: to honor the songwriting craft and emotional clarity of Goldman while offering a present-tense concert experience. For Tournee 2026, the ensemble refines its balance of fidelity and freshness—tempos breathe, harmonies shimmer, and the vocalist’s timbre pays tribute without imitation, giving each refrain renewed life. Across France and beyond, the group’s performances continue to draw multigenerational audiences who know every lyric by heart, and the current tour underscores just how alive this catalog remains in 2026. The show navigates from luminous pop to rock-tinged drive, from tender ballads to communal sing-alongs, sequencing the set so that “Je te donne” and “Quand la musique est bonne” ignite the room while “Comme toi” and “Pas toi” hold it in rapt stillness. Expect an upgraded lighting design with elegant color palettes and dynamic accents that follow rhythmic shifts, plus video content that situates each era—from the intimate textures of the early songs to the expansive sweep associated with Fredericks Goldman Jones—without ever overshadowing the musicianship. At Halle Tony Garnier, these artistic choices translate into a production that breathes on a grand scale, with sightlines and acoustics reinforcing the narrative arc of the night.

From the floor to the stands, Halle Tony Garnier is configured to amplify the communal spirit that defines this repertoire. Our wide stage welcomes the band’s generous instrumentation—guitars that trade sparkle and grit, keys that glide between piano warmth and synth sheen, a rhythm section that can drive “Il suffira d’un signe” with precision then pivot to the smooth propulsion of “À nos actes manqués.” The space invites moments of intimacy too: when the lights narrow and a voice traces the melody of “Envole-moi” or the hush of “Comme toi,” the hall seems to contract, the crowd leaning in as one. Then, with the first chords of “Là-bas,” the room opens again, and you feel the sweep of thousands singing together. As hosts, we prepare for those dynamics—calibrating delay towers for even coverage, designing comfortable traffic flow in and out of the arena, and ensuring a seamless transition from anticipation to ovation. Lyon’s audience brings extraordinary energy to this music, and on the night of GOLDMEN - CONCERT 100% GOLDMAN - De Goldman a Fredericks Goldman Jones - Tournee 2026, Halle Tony Garnier will be the resonant chamber where memory, melody, and the present moment converge in full voice.