C'est Décidé, Je Deviens Une Connasse - Le Rideau Rouge - Lyon

Le Rideau Rouge welcomes C'est décidé, je deviens une connasse

At Le Rideau Rouge in Lyon, we have the pleasure of presenting C'est décidé, je deviens une connasse in our intimate red-curtained room, a space designed for sharp humor, swift turns of phrase, and the kind of complicity that only live comedy can generate. From the moment the lights rise, the performance speaks directly to the everyday pressures of being agreeable, efficient, and endlessly accommodating, and then gleefully tears that script in half. The pace is brisk, the punchlines precise, and the audience is invited to recognize themselves in a gallery of social situations—from officious meetings to passive-aggressive brunches and the quiet storm of text-message etiquette. On our stage, the set design stays nimble: a stool, a mic, a few light cues, and a performer who fills every inch of the room with energy and self-deprecating audacity. Over the run here, we’ve seen the material crystallize into distinct chapters we, as a venue team, have come to call Mode d’emploi du non, Le brunch de l’enfer, and Réunion Teams, caméra coupée—three sequences that ignite laughter while tracing the liberating path from people-pleasing to unapologetic self-assertion. The result is a show that thrives on the closeness of Le Rideau Rouge, where the performer can pivot from razor wit to a conspiratorial whisper, and where each laugh rolls forward like a wave to the back row. Lyon audiences come for the catharsis and stay for the sheer joy of watching courtesy turn into comic confidence, one relentless bit at a time.

Fresh material, live momentum, and a comic voice honed for right now

As a venue committed to contemporary stand-up, we’re excited by the artist’s current momentum around C'est décidé, je deviens une connasse: night after night, the show blends social satire, personal storytelling, and a lightly anarchic spirit that feels tailor-made for our stage. The run at Le Rideau Rouge doubles as a creative lab where new ideas are tested in real time, and we’ve watched fresh passages land with growing authority—routines we internally shorthand as La to-do list des gentilles and Cours d’ironie appliquée, tight, high-tempo bits that audiences quote back in the lobby. Fans attuned to the current scene—who binge sets from Le Fridge – Comédie Club, Paname – Comédie Club, or the Montreux Comedy ecosystem—will recognize the modern cadence: a smart blend of confession and observation, digital-age references delivered with classic timing, and call-backs that tie the evening together with a sly wink. This is also a period of active creation offstage: new short-form capsules circulate online, backstage pages of notes grow thicker after each performance, and the Lyon stop energizes a broader itinerary that pushes the material forward week after week. In our room, the laughter is communal but the experience is intensely personal; you get the sense of a comic voice sharpening itself on the whetstone of audience response, drawing bigger laughs and tighter arcs with each pass. That alchemy happens because Le Rideau Rouge is built for proximity and precision: a clear line of sight from every seat, crisp sound, and the kind of attention that lets a raised eyebrow become a punchline. With C'est décidé, je deviens une connasse, the chemistry is immediate, the rhythm irresistible, and the appetite for encore sets very real—proof that this voice, right now, is hitting a nerve in Lyon.