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Balavoine, Ma Bataille

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Balavoine, Ma Bataille
Balavoine, Ma Bataille

L'Amphithéâtre 3000


80 Quai Charles de Gaulle
LYON Rhône-Alpes
Balavoine, Ma Bataille at Lyon, 18/01/2026.
To find out more, the information (prices, ticketing, seating plan) for this demonstration are to be discovered on this page.

Tickets for the next show of Balavoine, Ma Bataille (L'Amphithéâtre 3000) are on sale at the online ticket office. Book now your tickets to attend this show in Lyon and see Balavoine, Ma Bataille on stage!



Balavoine, ma bataille at L'Amphithéâtre 3000

At L'Amphithéâtre 3000, we are proud to welcome Balavoine, ma bataille to our stage, a large-scale musical celebration devoted to the voice, spirit, and fearless pop energy of Daniel Balavoine. Our venue is built for shows that are as intimate as they are powerful, with a sound system calibrated for clarity across every seat and lighting designed to sculpt emotion as well as spectacle. This production thrives on that balance: a live band at full charge, a cast of singers embracing narrative and nuance, and arrangements that honor the original recordings while breathing new life into them. From the first chord, the hall resonates with the unmistakable electricity of a concert experience, inviting both lifelong admirers and newcomers to enter the world of a songwriter whose catalog still feels urgent and contemporary. The hall’s sightlines, stage depth, and immersive acoustics give space to the show’s dynamic shifts—from the hush of a piano-led confession to the rush of an anthemic chorus—so that every inflection and every crescendo lands exactly where it should: right in the heart.

Artistic momentum and what you will experience on the night

Balavoine, ma bataille arrives at L'Amphithéâtre 3000 with the momentum of a team that has continued to refine its craft this season: tighter vocal blends, a sharpened rhythmic engine, and staging that foregrounds the human stories running through these songs. The program is a living tribute, with carefully curated moments that allow the material to breathe—an acoustic vignette one minute, a full-band surge the next. Expect the electricity of Le chanteur, the tenderness and tension of Mon fils, ma bataille, the social pulse of L'Aziza, the urgency of Sauver l'amour, and the cathartic lift of Tous les cris les S.O.S. Along the way, the musical direction leans into textures that feel current without sanding off the grain of the originals: analog synth colors nestling against modern drum punch, vocal harmonies that magnify the hooks, and cinematic lighting cues that make every refrain feel like a revelation. This season’s iteration emphasizes narrative flow—songs speaking to one another across time—so the evening unfolds less like a compilation and more like a journey through conviction, doubt, love, and defiance.

From our vantage point at L'Amphithéâtre 3000, what stands out about Balavoine, ma bataille right now is its commitment to relevance. The creative team has elevated the show’s dramaturgy, linking the repertoire with visuals that sketch contemporary silhouettes—cityscapes, intimate close-ups, and a horizon line that widens as the music intensifies. The ensemble’s current artistic focus is to reveal the connective tissue between the anthems and the quieter cuts, so that a track like Je ne suis pas un héros feels like both a personal confession and a communal statement. For audiences, that means a concert built on dynamic contrasts and finely tuned details: vocal timbres that converse rather than compete, instrumental lines that echo lyrical themes, and transitions designed to keep you inside the emotion from first note to encore. Our hall’s scale makes it possible to deliver both breadth and precision; every seat encounters the same calibrated mix, every vantage enjoys clean sightlines to the performers’ expressions. Whether you arrive with decades of listening or with curiosity sparked by a single melody, the night we host Balavoine, ma bataille is engineered to let the songs speak with immediacy—vibrant, generous, and utterly alive on our stage.



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