Bonne Nouvelle, La Comédie Musicale Par Maxime Dereymez

Bonne nouvelle la comédie musicale at L'Amphithéâtre 3000

At L'Amphithéâtre 3000, we are delighted to open our stage to Bonne nouvelle la comédie musicale, the new creation led by Maxime Dereymez. Our auditorium, designed for large-scale productions with pristine sightlines and a warm, enveloping sound, offers the ideal setting for a musical built on rhythm, emotion, and narrative drive. From our vantage point backstage, we see how this production brings together a vibrant ensemble of singers, dancers, and musicians, a live heartbeat that animates every corner of the hall. Expect choreography that moves fluidly between contemporary dance language and popular influences, vocals carried by rich harmonies, and staging that embraces the architectural lines of our venue—wide proscenium, generous depth, and technical grids ready for dynamic lighting states. The title sets a tone of optimism; what follows is a theatrical journey that celebrates resilience, the spark of a new beginning, and the collective joy of live performance. Our technical teams have shaped a sound design that speaks clearly in every row and a visual environment that turns transitions into moments of pure theatre.

Maxime Dereymez: artistic momentum

Maxime Dereymez arrives at L'Amphithéâtre 3000 with an energy that is quintessentially contemporary: grounded in the discipline of dance, open to collaboration, and focused on telling stories that resonate with today’s audiences. Renowned to the public for his standout presence on French prime-time dance stages, he brings the rigor of high-level choreography and the spontaneity of live entertainment to this musical venture. In recent seasons his calendar has been marked by stage direction, choreography for television and touring projects, and creative residencies that refine his vision for interdisciplinary performance. With Bonne nouvelle la comédie musicale, he steps into a role that bridges movement and dramaturgy, shaping an ensemble that sings, speaks, and dances with one voice. He regularly shares insights with emerging performers through workshops and rehearsals that foreground musicality, timing, and character work, and that spirit is evident in the cast chemistry on our stage. For audiences who have followed his path, the show carries his signature blend of precision and generosity; for newcomers, it is a compelling entry point into a world where dance propels the storyline forward.

As host, L'Amphithéâtre 3000 has tailored the experience around the show’s immersive arc. The production’s scenography makes full use of our venue’s volume: projected textures soften and expand the stage picture, live musicians anchor the pulse, and lighting carves intimate spaces before bursting into festival-like tableaux. From the first rows to the back of the balcony, the balance between voice, orchestra, and movement has been calibrated to preserve nuance and impact. Between numbers, transitions have been designed for flow, allowing the narrative to glide while giving the performers room to shine—solo turns, duets, and ensemble sequences that play with tempo and contrast. Our teams have emphasized accessibility and comfort so that families, devoted dance fans, and theatre lovers alike can settle in and be carried by the evening. As the city outside hums with cultural life, this engagement brings a festive, forward-looking spirit into the heart of Lyon. Bonne nouvelle la comédie musicale arrives ready to fill our stage with color and craft, and we are proud to shape the environment in which its story can breathe, soar, and meet the audience’s appetite for live, high-caliber musical theatre.