Vérino - Rodéo - Tournée

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Vérino - Rodéo - Tournée
Vérino - Rodéo - Tournée

Bourse du travail


205, Place Guichard
Lyon Rhône-Alpes
Vérino - Rodéo - Tournée at Lyon (Bourse du Travail), 30/05/2026.
All practical information (prices, ticketing, seating plan) for this demonstration are to be consulted on this page.

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Rodéo arrives in Lyon: our stage welcomes Verino

From our vantage point in the heart of Lyon, few contemporary comedians generate the same electric anticipation as Verino. Programming Rodéo here was an easy decision: his command of pace, timing, and audience connection is exactly the kind of living, evolving comedy our stage is built to magnify. Verino has cultivated a wide community around his work, not only through the buzz of sold-out tours but also via his ongoing digital presence, where his series Focus has become a reference point for quicksilver, week-to-week stand-up that reacts to the world in real time. That restless curiosity feeds directly into Rodéo, a title that captures both the thrust of his style and the choreography of a night in his universe—vaulting from everyday absurdities to grand social topics without ever losing the thread of laughter. In Lyon, we’re preparing the room around his rhythmic shifts: lean lighting for the nimble punchlines, clear sightlines to welcome spontaneous crowd-work, and the warmth that lets a keen observer like Verino turn a full house into a single, responsive conversation.

What to expect from Rodéo tournée on our Lyon stage

Rodéo tournée is built on the idea that comedy can be muscular and agile at once. Verino’s writing vaults across modern life—parenthood and friendship, the digital clutter that crowds our days, climate jitters, the etiquette of public spaces, the stubborn weirdness of the news cycle—while his delivery stays light on its feet, ready to riff on a glance, a cough, or a local reference that anchors the moment in Lyon. We’ve seen how his Focus episodes sharpen this momentum: the series functions like a weekly gym for ideas, teaching him to sculpt a premise in seconds and release it with surgical clarity. That same muscle is flexed in Rodéo, where prepared material and off-the-cuff instincts braid together into a show that feels precise and alive in the same breath. Regulars who discovered him through Focus will recognize the clean structure and nimble callbacks; newcomers will meet a stand-up who can open a topic in one sentence, turn it inside out in three, and make the whole room feel complicit in the discovery. His television roots—many still recall his runs on On n’demande qu’à en rire—gave him the discipline to land hard laughs on the beat, but Rodéo adds a touring confidence: the elasticity to slow down, double back, and let a Lyon audience carry a gag further than it traveled the night before.

For us, hosting Rodéo means curating an evening where intimacy and scale meet. The production is intentionally spare—no theatrical clutter, just the bright architecture of stand-up—so every seat in our Lyon hall gets the same crisp vocal definition, the same micro-beats of eyebrow and grin that sell a punchline. Our technical team has tuned the room for the show’s pulse: quick blackouts that punctuate sections, a tight wash that tracks Verino’s movement when he slips into a character or a whispered aside, and a sound design calibrated to preserve that dry, conversational texture he favors. Expect an audience that arrives buzzing—fans quoting bits from Focus, spectators who first met him on On n’demande qu’à en rire, couples and friends eager for a night where the news of the week and the comedy of the everyday are filtered through a single alert mind. Expect, too, the generosity that has become his hallmark: the careful setup that makes a theme accessible, the twist that keeps it surprising, and the release that lets a Lyon laugh ripple back to the stage and become part of the show’s memory. Rodéo tournée is a moving target by design, and we’re proud to give it a home base for an evening in Lyon where the ride can be as wild, and as precise, as Verino wants it to be.



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