Roman Frayssinet - Ô Delà - Lyon

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Roman Frayssinet - Ô Delà - Lyon
Roman Frayssinet - Ô Delà - Lyon

Bourse du travail


205, Place Guichard
Lyon Rhône-Alpes
Roman Frayssinet - Ô Delà - Lyon at Lyon (Bourse du Travail), 15/10/2025.
All practical information (prices, ticketing, seating plan) for this show are to be found on this page.

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Roman Frayssinet brings Ô D'la to our Lyon stage

We are delighted to welcome Roman Frayssinet and his new show Ô D'la to our stage in Lyon, a city whose audiences relish inventive, high-energy stand-up. From our vantage point backstage and in the room, Roman’s style lands with a rare blend of warmth and audacity: surreal images collide with razor-sharp observation, and the result is a shared sense of discovery that fills every row. Many in Lyon first met him through earlier milestones like Alors, and through recent appearances on television and digital platforms such as Clique and the Canal+ stand-up strand Soixante, not to mention his ever-popular sets at Montreux Comedy. With Ô D'la, he turns his curiosity up a notch, threading absurd detours and lyrical digressions into a cohesive journey that feels spontaneous yet meticulously crafted. Our team has watched him refine this material city after city; by the time he steps into the lights here, the show’s rhythm is alive, elastic, and primed for the particular energy that a Lyon crowd brings.

What you will feel in the room with Ô D'la

From the first beat of the evening, Roman’s presence transforms the room into an intimate playground. His command of pace—accelerating into a breathless cascade of ideas, then pausing to let a single image bloom—plays beautifully in our acoustics, where whispers and punchlines carry with equal clarity. Audience interaction is part of the alchemy: a glance to the balcony, a quick riff sparked by a cough or a late arrival, the kind of improvised thread that becomes one of the night’s most-quoted moments. Our lighting and sound crews shape a minimalist environment where nothing distracts from the storytelling; the set breathes, and Roman’s imagination fills the space. Expect the unexpected: philosophical swerves framed by everyday scenarios, affectionate jabs at modern rituals, and that signature sense of wonder that asks us to look again at the obvious. In Ô D'la, he toys with scale—tiny details blown up to cosmic size, vast ideas shrunk to pocket form—so that even routine topics feel new. Seen from our stage, the laughter doesn’t just crest in waves; it ricochets, revealing how quickly the room bonds with his universe.

Roman’s artistic momentum is unmistakable this season. Between tour dates, he continues to sharpen material in clubs and on select media slots, keeping his voice fresh and porous to the times. Viewers who have followed his recent contributions to Clique, his featured minutes within Soixante, and new clips shared alongside Montreux Comedy will recognize the throughline: a taste for poetic absurdity underpinned by meticulous writing. Yet Ô D'la is not a collage of bits; it’s a new architecture that lets him step further into vulnerability and playful metaphysics without losing the streetwise pulse that made Alors a calling card. We see this evolution up close when he techs the show with our crew—tweaking a beat here, stretching a pause there—so that every seat is folded into the narrative. For Lyon spectators, that means a living, breathing performance that honors the mood of the night. If you’re encountering Roman for the first time, Ô D'la is an ideal entry; if you already know his work from stages like the Jamel Comedy Club or TV formats that have amplified his voice, this chapter shows how far his craft has traveled while staying unmistakably his.



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