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Yvain Dans Pas Courageux - Le Boui-boui, Lyon

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Yvain Dans  Pas Courageux - Le Boui-boui, Lyon
Yvain Dans Pas Courageux - Le Boui-boui, Lyon

Le Boui-Boui


7 Rue Mourguet
LYON Rhône-Alpes
Yvain dans Pas Courageux - Le Boui-Boui, Lyon at Lyon, 23/09/2025.
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Tickets for the next show of Yvain dans Pas Courageux - Le Boui-Boui, Lyon (Le Boui-Boui) are on sale at the online ticket office. Book now your tickets to attend this show in Lyon and see Yvain dans Pas Courageux - Le Boui-Boui, Lyon on stage!



Malik Mike – No Comment at Le Boui-Boui

At Le Boui-Boui, we prize the kind of intimate, electric encounter that can only happen when a sharp comic meets a close, curious audience, and that is precisely why we are thrilled to host Malik Mike with his show No Comment. Our room is built for precision and proximity: you feel the breath of a punchline before it lands, you catch a raised eyebrow as clearly as a loud laugh, and the smallest shift in energy becomes part of the story. No Comment thrives in this setting. Malik Mike’s writing leans into the moment—observational, agile, and generous with surprise—so the stage becomes a sandbox where life’s tiny glitches and grand contradictions are sculpted into razor-clean bits. Whether he is decoding the etiquette of scrolling, dramatizing the awkward gym handshake, or testing how far silence can carry an idea before words become inevitable, we witness the craft evolving in real time. From our side of the lights, we see an artist listening, reacting, and calibrating, the kind of live rigor that keeps our venue’s heartbeat quick and our audiences leaning forward.

Current momentum, fresh angles, and what fans are gravitating toward

As programmers, we are continually tracking artists who build momentum through relentless stage time and smart, bite-sized releases, and Malik Mike is in that pocket right now. No Comment is a living set: each pass refines timing, switches perspective, and finds new twists without losing the spine of the show. Stand-up fans who follow contemporary showcases like Jamel Comedy Club, Paname Stand Up, or the Montreux Comedy Festival’s digital galas will recognize the balance he strikes between playful crowd-reading and crafted narrative arcs. We have watched crowds at Le Boui-Boui respond to his tight pivots—one second he is dissecting a micro-gesture everyone does in elevators, the next he is turning a mundane shopping queue into a mini-epic of social codes—and that responsiveness is exactly what fuels an artist’s next chapter. From our vantage point, the artistic news is plain to see on stage: new tags tried and kept, fresh callbacks threaded through the spine of the hour, and a performer who treats the room like a workshop without ever sacrificing the audience’s ride. It is the kind of growth we love to host because you can feel it, laugh after laugh.

What should you expect when you take your seat at Le Boui-Boui for No Comment? Expect a show that is both tightly architected and open to the air of the room. We set our staging, sightlines, and sound to catch every glance and pause, because Malik Mike’s humor often lives in the breaths between words as much as in the punchlines themselves. There is a physicality to his set—gestures that draw a scene before a sentence arrives—that makes the front row chuckle in anticipation and the back row nod in recognition. Expect quick gear-shifts: clean observational beats that spiral into miniature sketches, strategically placed crowd-play that invites the room in without derailing the narrative, and a finale that gathers the night’s threads into something larger than the sum of its laughs. If you enjoy the precision of modern stand-up shaped by the energy of the moment—the same energy that keeps audiences glued to showcases like Jamel Comedy Club, Paname Stand Up, and Montreux Comedy—this hour will feel both familiar and distinctly his. At Le Boui-Boui, we are proud to give No Comment the close-up it deserves, right where comedy breathes best: a small stage, a packed room, and an artist in full conversation with the night.



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