Rosa Bursztein – Dédoublée

Rosa Bursztein returns to the stage at Radiant-Bellevue with Dédoublée

At Radiant-Bellevue, we are thrilled to welcome Rosa Bursztein with Dédoublée, a magnetic new hour that perfectly suits the intimacy and clarity of our stage. From the very first minutes, her voice and presence fill our auditorium with a lively tension—playful, sharp, and profoundly human. Dédoublée explores the daily contradictions that make us who we are, playing with the mirror image of private and public selves, the self that wants to please and the self that wants to say everything. In our hall near Lyon, audiences come to feel close to the performer, and Rosa’s art thrives on that closeness: the quick-fire lines, the funny confessions, and the sudden tenderness that turns a laugh into a moment of recognition. Her craft has the pace of New Wave stand-up and the detail of character comedy, so that each story carries both rhythm and depth. As hosts, we know when the room is leaning in; with Rosa, the whole audience leans in at once, discovering the joy of seeing a comedian “doubled”—and doubling the laughter in the process.

A fresh artistic moment you can feel in the room

Rosa Bursztein arrives at Radiant-Bellevue in full artistic momentum. Her creative universe keeps expanding from stage to airwaves, with the irreverent and addictive Les mecs que je veux ken continuing to draw listeners into her world and feed her stagewriting with new angles, confessions, and punchlines. That audio playground has sharpened the precision we hear in Dédoublée: the timing is tighter, the callbacks more cunning, and the portraits of friends, lovers, and family more textured. You sense how her improviser’s ear listens to the audience, shaping each beat with musicality—the kind of nuance our venue’s acoustics showcase beautifully. For spectators, that means an evening that moves, breathes, and reacts in real time, the material carrying a lived-in warmth that resonates well beyond the last line. Rosa’s current work shines in its balance: she embraces vulnerability without losing speed, polishes jokes that still feel spontaneous, and builds a show that invites the room into complicity. In Dédoublée, the stage becomes a private salon where the comic lets us overhear her split selves in discussion—sometimes at odds, often in cahoots—and the audience happily takes sides from one minute to the next.

Presenting Rosa Bursztein at Radiant-Bellevue means creating the very best conditions for this intimate storm of comedy to unfold: a clear sightline from every seat, a sound that carries the whisper as effortlessly as the punchline, and a rhythm that lets the night breathe between laughs. The themes that thread Dédoublée—dating and desire, therapy and self-sabotage, friendship as refuge, the friction between social masks and private truths—land with particular intensity in our room, where the proximity between artist and audience gives each detail a human scale. Rosa plays with elastic energy, turning a throwaway aside into a ricochet of shared glances all the way to the balcony, then recentering with a storyteller’s patience for the next reveal. Our Lyon-area audiences love performers who dare to be both precise and porous, and Rosa’s current show is exactly that: a living conversation disguised as a comedy set. As the hour unfolds, you can feel her artistic present tense—shaped by the ongoing life of Les mecs que je veux ken and honed night after night—meeting the singular mood of Radiant-Bellevue, and sparking that rare sensation: the certainty that you’re watching a voice, at this very moment, become even more itself.