Robin Gomez - Viens On Se Rentre Dedans Mais Fort

Le Rideau Rouge welcomes Robin Gomez

From the heart of Lyon’s Croix-Rousse, Le Rideau Rouge is proud to host Robin Gomez with his electric new hour, Viens on se rentre dedans (mais fort). Our stage is built for comedians who thrive on proximity and pulse—where the first laugh can ripple to the back row in a heartbeat and where a raised eyebrow lands just as loudly as a punchline. As a neighborhood institution for live performance, we champion artists who turn the room into a co-conspirator, and Robin’s show is crafted precisely for that kind of shared adrenaline. Expect the kind of intimate, high-definition comedy experience our audiences come here for: crisp sound, sightlines that bring you into the joke, and a room tuned to the musicality of stand-up—beats, pauses, and raucous release. At Le Rideau Rouge, the red glow, the low stage, and the closeness of the crowd transform a set into an encounter, and this title promises exactly that: contact, tension, and the joy of pushing back with laughter.

What to expect from Viens on se rentre dedans (mais fort) at Le Rideau Rouge

Robin Gomez brings an unapologetically frontal style that fits our space like a glove: conversational yet precise, playful yet incisive. He draws sharp lines around modern frictions—dating protocols, group chats that won’t die, office politics, family love that squeezes too tightly—then steps on them to see if they hold. Without spoiling specific moments, the hour unfolds as a sequence of lived-in stories and cheeky confrontations where the audience is part witness, part accomplice. In warm-up club sets and preview nights, he has road-tested segments informally nicknamed by fans and fellow comics—pieces like “Premier Rendez-vous,” a whirlwind tour through first-date etiquette and its unspoken traps; “Open Space,” where micro-aggressions in the office get magnified into operatic farce; and “Heure de Pointe,” a crescendo of commuter chaos that turns a crowded carriage into a social experiment. When these bits meet the intimacy of Le Rideau Rouge, crowd work becomes connective tissue: the offhand remark at table four becomes a callback twenty minutes later, the throwaway tag on the left balcony suddenly flowers into a running gag. The show’s title signals impact, but the craft is in the control—timing that snaps, pivots that surprise, and a willingness to press on the pressure points of everyday life until they release. We keep the room tight and the energy taut, so every beat counts, every silence breathes, and every punch lands clean.

Robin’s current artistic momentum is visible in how quickly his material evolves from club-testing to fully shaped sequences, and Le Rideau Rouge is delighted to be one of the rooms where that evolution becomes tangible. He arrives with a fresh hour that speaks the language of now—nimble, interactive, and unafraid to let a spontaneous riff reshape the path of a joke. For audiences who track contemporary stand-up through short-form clips and live try-outs, you’ll recognize the tensile strength of bits that have been tightened under real-room pressure; for those discovering him here, this is an ideal entry point into his voice. Our team prepares the space to amplify that voice: doors open early for relaxed arrivals, the bar is set to pre-show tempo, and seating is designed to preserve the show’s rhythm from the front row to the back. Viens on se rentre dedans (mais fort) is the kind of set that rewards being there in the moment—where a glance exchanged at your table becomes part of the night’s fabric, and where the laughter doesn’t just bounce off our walls; it binds the room. At Le Rideau Rouge, we invite you into that fabric and give it the perfect stitch.