Pablo Mira - Cherche Encore Le Titre De Son Spectacle - Tournée

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Pablo Mira - Cherche Encore Le Titre De Son Spectacle - Tournée
Pablo Mira - Cherche Encore Le Titre De Son Spectacle - Tournée

Espace Gerson


1 Place Gerson
LYON Rhône-Alpes
Pablo Mira - Cherche Encore le Titre de son Spectacle - Tournée at Lyon, 25/09/2026.
All practical information (prices, ticketing, seating plan) for this show are to be consulted on this page.

Tickets for the next show of Pablo Mira - Cherche Encore le Titre de son Spectacle - Tournée (Espace Gerson) are on sale at the online ticket office. Book now your tickets to discover this show in Lyon and see Pablo Mira - Cherche Encore le Titre de son Spectacle - Tournée on stage!



Pablo Mira at Espace Gerson

At Espace Gerson, we take pride in welcoming voices that redefine the art of live comedy, and this season we are delighted to open our stage to Pablo Mira with his new outing, cherche encore le titre de son spectacle. From our vantage point as a venue dedicated to the energy of the spoken word, we have watched audiences gravitate toward Mira’s blend of razor-sharp satire and crafted absurdism, a signature sharpened by his work with Le Gorafi and his television presence on Quotidien. Many in Lyon still recall the acerbic pleasure of Pablo Mira dit des choses contre les gens; today, he pushes that lineage forward with a show that is both lean in staging and generous in ideas. As a performer, he navigates the tightrope between mock-serious analysis and mischievous spontaneity—an approach familiar to listeners of La drôle d’humeur de Pablo Mira on France Inter—while keeping the room in the palm of his hand. In our intimate setting, you can expect him to dial up the eye contact, the throwaway asides, and the sly callbacks that are so effective when every laugh echoes clearly across the room.

Inside cherche encore le titre de son spectacle

From the first beat, cherche encore le titre de son spectacle feels like a carefully unbuttoned “conference” delivered by a stand-up who knows the grammar of public discourse well enough to parody it with precision. The writing is tight, the rhythm is nimble, and the perspective is knowingly skewed: current events are filtered through the gleeful unreliability of a commentator who pretends objectivity only to reveal his traps. In the Espace Gerson room, the piece breathes: pauses land, audience reactions reshape the tempo, and Mira’s deadpan turns sharpen the punchlines. He moves between social media foibles, political theater, and the everyday hypocrisy that powers both, extracting laughter from contradictions rather than slogans. For our technical team, the show’s clarity is a gift—light cues scaffold the mood without crowding it, while sound remains warm enough to catch the smallest throwaway line. It’s the kind of set that rewards active listening, where a casual ad-lib can morph into a fully formed mini-bit, and where the boundary between scripted and improvised humor blurs for the pleasure of a live crowd.

Artistically, Pablo Mira arrives at Espace Gerson with a bustling present. His on-air appearances on Quotidien keep his satirical reflexes honed in the heat of the news cycle, and his radio moments in La drôle d’humeur de Pablo Mira continue to showcase his ability to compress a worldview into a few meticulously chosen lines. That discipline surfaces here: the new material feels timely without chasing headlines, personal without turning confessional, and mischievously intellectual without ever drifting into lecture mode. As his tournée unfolds, we’re seeing a comedian comfortable enough to tease his own premises, to sit in silence when it serves a joke, and to pivot into playful interaction when the room invites it. At Espace Gerson, that interplay is electric—our audience arrives ready for sharp ideas and quick pivots, and the show meets them there. Whether you discovered him through Le Gorafi’s satirical universe or on stage with Pablo Mira dit des choses contre les gens, this new hour refines the same instincts with an extra coat of finesse: cleaner setups, bolder turns, and a knack for exposing the tiny absurdities that prop up our certainties. We’ve set the room for a night of understatement and surprise; the rest, delightfully, is Pablo Mira’s to detonate.



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