Monsieur Fernandez - Dans L'avis Des Autres - Théâtre Le Boui-boui De Lyon

Monsieur Fernandez brings L'avis des autres to Le Boui-Boui

We are thrilled to welcome Monsieur Fernandez to the intimate stage of Le Boui-Boui for L'avis des autres, a razor-sharp, quick-witted evening designed for a room like ours where the performer can feel every breath and the audience can savor every punchline. As a club that prizes proximity, we love how his comedy thrives on immediacy: the glance, the pause, the sly callback that catches you just as you lean forward. Right now, Monsieur Fernandez is in a fertile creative moment, honing new ideas in front of live crowds and turning everyday contradictions—our craving for approval, our digital habits, our tiny moral victories—into cascading laughs. Audiences in Lyon know that Le Boui-Boui is where comics come to test reflexes and refine rhythm; in this setting, Monsieur Fernandez’s energy finds the perfect echo, his perspective sharpened by the closeness of the room. Expect a performance that feels alive in the moment, guided by his taste for playful debate and the artful outburst, always with that mischievous wink that says: “You’ve thought this, too.”

Inside the show: timing, themes, and fresh routines

L'avis des autres revolves around the way we collect opinions, trade them, and let them shape our days—and Monsieur Fernandez turns that observation into a fast-flowing sequence of scenes, characters, and sly confessions tailored for the Le Boui-Boui crowd. The show’s heartbeat is conversation: he likes to toss a premise into the room and listen for the ripple, leaving space for a laugh to bloom or for an unscripted detour that becomes the night’s highlight. In recent sets, he has been workshopping crowd-favorite pieces that map perfectly onto this theme, including “Fil d’actualité,” a gleeful sprint through the absurd churn of our feeds; “Bruit de couloir,” where rumors mutate into epic tales before the coffee cools; and “Mode avion,” a deceptively simple ode to disconnecting that becomes a hilarious manifesto for peace and quiet. These routines fold naturally into L'avis des autres: they’re polished without losing their spark, and nimble enough for improvisation when a front-row remark opens a new door. The result is an hour that feels handcrafted for our stage—tight craftsmanship, open windows, and a performer who relishes the give-and-take of a Lyon night out.

As a venue, we pay close attention to the arc of a set, and Monsieur Fernandez is thinking like a musician right now: he builds crescendos, stacks tags, and lands satirical turns with a drummer’s sense of groove. That’s why Le Boui-Boui suits him—our low-lit room focuses the ear, and his timing cracks through the hush like a match. Artistic news from his side is simple: he is writing, testing, and renewing. L'avis des autres keeps absorbing fresh angles—office micro-dramas, the etiquette of voice notes, the awkward grace of family reunions—and the show breathes differently each time it meets our stage. We’ve seen him shift from a whisper to a whirlwind in seconds, transforming a stray audience aside into a mini-sketch that sits alongside “Fil d’actualité,” “Bruit de couloir,” and “Mode avion” as if it had always belonged. If you come for tight observations, you’ll stay for the charming audacity with which he sifts through what we think we know, teasing out the joy in contradiction. In the hands of Monsieur Fernandez, the opinions of others turn into the laughter we share together—exactly the kind of collective spark Le Boui-Boui was built to house.