Les Femmes Ont Toujours Raison, Les Hommes N'ont Jamais Tort ! - Le Rideau Rouge (lyon)

At Le Rideau Rouge: welcoming Les femmes ont toujours raison, les hommes n'ont jamais tort

From our stage at Le Rideau Rouge, we are delighted to host Les femmes ont toujours raison, les hommes n'ont jamais tort, a sparkling comedy that thrives on our room’s intimacy and direct connection with the audience. The show’s premise is simple to describe yet endlessly inventive in performance: a spirited, rapid-fire exploration of how couples talk, miscommunicate, make peace, and laugh at themselves. Our black-box setting, a hallmark of Le Rideau Rouge, lets the artist play with silence, glances, and punchlines that land with precision; you can see the micro-expressions and hear the split-second timing that make the arguments and reconciliations so hilariously familiar. Expect a deft blend of stand-up rhythms, theatrical vignettes, and audience rapport, with lighting cues and small sound motifs accentuating the twists of each scene. We’ve worked with the creative team to ensure the pace and transitions are crisp in our room, so that the show’s funny-because-it’s-true observations keep cascading. Whether you come as a duo or with friends, it’s the kind of evening that makes couples nudge each other and singles recognize every archetype from the first minute.

Current artistic momentum: new bits, sharper timing, and a lively tour pulse

As a venue that follows the artist’s evolution closely, we can share that the current tour momentum is vibrant: new dates are being added, and the material has evolved in step with audience feedback. Recently, the artist has teased fresh sketches online and on stage—pieces like Mode Avion du Couple, Le Dîner de Famille 2.0, Micro-sieste parentale, and Tableau Excel des Émotions—each expanding the show’s universe with playful twists on everyday life. The writing has tightened, the callbacks are more layered, and the transitions flow with a confidence born of months of packed rooms. In our space at Le Rideau Rouge, those refinements are immediately perceptible: pauses feel like punchlines, and the crescendo of laughter often begins before the final word lands. This living, breathing approach to comedy is very much the news of the moment; the artist is not resting on a signature title but actively refreshing it with topical beats, a few sly nods to Lyonnais habits, and an eye for how relationships adapt to contemporary routines. If you have seen an earlier version, you’ll find the current cut noticeably punchier and more interactive without sacrificing narrative coherence.

What does that mean for you as our audience at Le Rideau Rouge? It means an experience honed to the room: the entrances and exits are measured to our sightlines, the lighting trims are calibrated to keep faces readable from the back row, and the pacing is designed to let laughter swell and subside naturally. The show zeroes in on everyday rituals—who tidies what, who texts first, who pretends not to hear—and flips them into running gags that crisscross the evening. Meanwhile, the artist’s recent sketch beats, such as Le Dîner de Famille 2.0 or Tableau Excel des Émotions, tend to pop up as winks or extended tags, giving regulars something new to savor and first-timers a sense that they’re watching a comedian at the height of their agility. At Le Rideau Rouge, we’ve seen how this format unlocks genuine complicity in the room; the ripples of recognition travel, table to table, and the final segment ties threads together so cleanly that the applause feels as inevitable as the laughter that precedes it. Les femmes ont toujours raison, les hommes n'ont jamais tort belongs in a space like ours—close, warm, and built for punchlines to fly.