Jojo Bernard - Tout Le Monde Il Est Beauf ( Tournée )

Espace Gerson welcomes Jojo Bernard with “Tout le monde il est beauf”

At Espace Gerson, we take pride in showcasing artists who turn intimacy into electricity, and Jojo Bernard embodies that promise with “Tout le monde il est beauf”. Our room in the heart of Vieux Lyon was designed for the quickfire rhythm of stand-up: tight sightlines, close audience proximity, and an atmosphere where punchlines ricochet from the stage to the back row and back again. As part of the current Tournée, this date brings Jojo’s unabashed, high-octane persona face to face with a Lyonnais crowd that loves sharp observation as much as playful provocation. Expect the twang of everyday life filtered through his signature beauf-lens: the night out that goes sideways, the Sunday rituals we all pretend to hate and secretly love, the bravado that collapses under the weight of reality. We program comedy for its immediacy, and Jojo’s new hour thrives on that live-wire connection—riffing, teasing, and pushing until the room becomes a single conspiratorial grin.

Spotlight on the artist’s current momentum

Jojo Bernard arrives at Espace Gerson in full swing, buoyed by a flurry of fresh stage material and new digital snippets that have kept his community buzzing. On social channels, recent sketches like “Le Foot du dimanche,” “La Muscu de quartier,” and “Le Cousin qui sait tout” have struck a chord precisely because they mirror the characters we run into every week—loud, lovable, and catastrophically certain. Onstage, he’s been honing that energy into a compact, narrative-driven set where the swagger meets self-mockery, and where the beauf archetype becomes a mirror more than a mask. As a venue, we’ve watched audiences flock to comics who pivot effortlessly between improvisation and razor-cut writing; Jojo’s current form does exactly that, threading callbacks through crowd interactions and staging beats. The buzz around this Tournée reflects a simple truth: his comedy travels well, yet lands best in rooms like ours where you can hear the nuance in a sigh and the punch behind a pause.

Programming “Tout le monde il est beauf” at Espace Gerson means tailoring the experience to the contours of his humor: minimal distance between performer and audience, crisp sound that carries the throwaway mutter as clearly as the headline gag, and lighting that spotlights the micro-expressions that sell a character. In this new set, Jojo toys with recurring mini-bits—watch for nods to “Apéro d’anniversaire,” “Le Permis,” and “Au camping”—and interlaces them with loose, in-the-moment crowd work that keeps every performance alive to the room. From our vantage point, the draw isn’t just the laugh count; it’s the way his persona invites the audience to recognize themselves and then laugh their way out of the pose. That’s why we love hosting him here: the show breathes with the audience, and our space is built for that kind of give-and-take. If you’re coming to see the Tournée at Espace Gerson, come ready for the edge, the wink, and the joyful chaos that only a live, tightly packed comedy room can deliver.