Giedré - Maxi Best-of - Tournée

Giedré brings Maxi Best Of to SALLE EDOUARD HERRIOT

At SALLE EDOUARD HERRIOT, we are delighted to welcome the mischievous, razor-sharp world of Giedré for a date of her Maxi Best Of tour. Our stage is built for the kind of intimate, mischievous storytelling she embodies: one artist, a guitar, a smile that disarms, and lyrics that pierce. The hall’s warm acoustics and clear sightlines invite you to lean into her whisper-sung confidences, then laugh out loud when the punchlines land. Giedré’s signature contrast—candy-colored costumes, delicate melodies, and taboo-tilting subjects—resonates beautifully in a room where every detail is intelligible. Expect a curated journey through her repertoire, from cult favorites that audiences still chant to under-the-breath gems that catch you off guard. Her best-of concept is not a simple recap; it’s a living mosaic that rearranges songs with playful asides, musical detours, and audience mischief. And yes, those irresistible sing-alongs may surface—fans will keep an ear out for On fait tous caca or Pisser debout—because a Maxi Best Of at SALLE EDOUARD HERRIOT is about celebrating the shared memory of songs you never forget once you’ve heard them in a room like this.

Artist momentum, fresh arrangements, and the spirit of the tour

Giedré arrives in Lyon with creative wind in her sails, continuing to sharpen her writing and refresh beloved material for the stage. The current tour has become a playground for new arrangements and sly, acoustic re-orchestrations that underline her gift for economy: a few well-placed chords, a crystalline voice, and the courage to say what others won’t. That economy blossoms in our venue, where soft dynamics carry effortlessly and every irony registers. On this date at SALLE EDOUARD HERRIOT, the setlist threads together fan requests, seasonal surprises, and numbers that showcase her evolving craft as a songwriter—tender verses that turn on a dime into cathartic laughter, lullaby-like refrains that smuggle in bracing truths. Expect the cheeky stagecraft that has endeared her to audiences across the francophone world: faux-naïf patter, improvised interactions, and sudden moments of hush where a lyric lands with a thud—or a hug. While Maxi Best Of nods to her history, it also points forward; Giedré enjoys slipping in freshly minted pieces, testing them live, and letting the room become a co-writer through reaction, timing, and complicity.

For us as hosts, this encounter is about closeness and clarity. SALLE EDOUARD HERRIOT offers a refined listening experience that flatters Giedré’s nuanced delivery—fingerpicked figures sound round and present, percussive strums crack like a snare, and her voice remains front-and-center, natural and conversational. The show’s pace tends to blossom from disarmingly gentle openings into crescendos of laughter, before easing again into tender or absurd confidences; our team shapes the light and sound so each pivot feels cinematic. Maxi Best Of is also an ideal primer if you’re discovering her for the first time, and a communal homecoming if you’ve followed her for years: you’ll recognize touchstones like On fait tous caca and Pisser debout, but also encounter reimagined verses, extended codas, and the kind of banter that only exists in the moment. Arrive early to settle in, take your seat, and let the hall’s hush set the scene; when the first chord rings out, you will feel why this room and this artist are made for each other.