Fanny Simon - Mais Que Vont Dire Les Voisins ?

Fanny Simon brings Mais que vont dire les voisins ? to Le Boui-Boui

At Le Boui-Boui, we cultivate evenings where the room feels like a living room, and that is exactly why we are thrilled to welcome Fanny Simon with Mais que vont dire les voisins ?. Our stage is built for sharp, intimate comedy that thrives on proximity, and Fanny’s voice—both warm and incisive—fits our space like a glove. She navigates the glorious awkwardness of hallway encounters, thin walls, and the polite pretenses of shared spaces with impeccable timing, shaping everyday frictions into laugh-out-loud revelations. This season, Fanny arrives with a wave of new material and a confident presence honed in clubs and small theaters, and we can feel the momentum: the set is tight, the writing is crisp, and the crowd connection is immediate. For our audience at Le Boui-Boui, it means an hour where every cough through the partition, every late-night footstep, and every neighborly smile becomes a comic springboard. We pride ourselves on showcasing artists in the middle of their creative bloom, and Fanny’s current form—curious, mischievous, and wonderfully human—is exactly the energy our stage was built to amplify.

Inside the show: the humor next door

Mais que vont dire les voisins ? plays like a playful guided tour of apartment life, and in our close quarters you’ll hear the punchlines land with a neighborly thud. Fanny sketches characters at the speed of a whisper behind a door: the well-meaning caretaker, the hyper-vigilant parent, the nocturnal musician, the catastrophist of the building chat. Expect a string of finely cut bits that she now treats as signature moments, including La Réunion de Copropriété, Silence Après 22h, Le Balcon, Côté Cour, Le Groupe WhatsApp de l’Immeuble, and Apéro Chez Les Voisins. She shifts registers with disarming ease—slipping from sly observation to little bursts of physical comedy—so that a mundane notice board becomes theater, and a passive-aggressive note becomes epistolary drama. At Le Boui-Boui, the laughter ricochets quickly, and Fanny leans into that bounce, letting pauses swell and then pop. The piece is as relatable as it is precise: you don’t need to share a staircase to recognize the codes, the unwritten rules, and the minor rituals that hold our micro-societies together. In our room, those rituals become a shared secret; Fanny lets us confess, giggle, and ultimately own the oddities we pretend not to see.

Beyond the stage, we love that Fanny Simon’s artistic news mirrors the spirit of this show: agile, close to real life, and constantly refreshed. She is actively refining fresh angles on community, boundaries, and courtesy—new bits about recycling day diplomacy, awkward intercom exchanges, and the implosion of quiet hours are already buzzing in previews. You may hear callbacks to crowd favorites such as Le Palier and Copropriété Anonyme, now sharpened with new turns of phrase, alongside in-the-moment riffs shaped by the night’s audience. Recent sketch drops online have teased her evolving approach to character voices and mock-epic storytelling; in our space, those ideas click into place, revealing a comic who knows how to turn everyday tension into collective release. We’ve tuned the room to welcome that dynamism: clear sightlines, intimate acoustics, and a front row that feels like it shares a landing with the performer. If you know Le Boui-Boui, you know we cherish nights where the artist and the audience breathe together; if you’re new, this is the show that will make you feel like you’ve lived upstairs from Fanny for years. The door is open, the hallway light is on—come in and let the neighbors talk.