Fabrice Eboué - Nouveau Spectacle - Tournée

Fabrice Éboué at L'Amphithéâtre 3000: a razor‑sharp return to Lyon

At L'Amphithéâtre 3000, we are thrilled to welcome Fabrice Éboué and his nouveau spectacle, a tour de force that has been gathering momentum en tournée across France. From our vantage point as host, we see an artist at the height of his craft: a stand-up storyteller whose caustic flair and cool precision cut straight to the quirks of contemporary life. Audiences who have followed him through Adieu Hier or the volcanic Plus rien à perdre will recognize the unmistakable rhythm of his punchlines—economical, incisive, and playfully ruthless. His recent media stops, from Quotidien to Quelle époque ! and C à vous, have only intensified the buzz around this new chapter, offering glimpses of fresh material that navigates the thin line between social observation and gleeful provocation. As a venue built for large-scale encounters with singular voices, we relish the chance to frame his wit on a stage that can magnify both intimacy and spectacle. The energy of Lyon’s public, the crisp acoustics, and Éboué’s instinct for live improvisation promise an evening where laughter arrives fast, but the ideas linger.

What the room is built to deliver—clarity, connection, and a view from every seat

L'Amphithéâtre 3000 is engineered to turn stand-up into a shared event, and Fabrice Éboué’s nouveau spectacle makes full use of that architecture. The room’s generous rake ensures a clean, unbroken sightline that suits his conversational pacing, while the sound design carries the subtlest sotto voce aside with the same fidelity as a roar of applause. Because Éboué is a master of the quick detour—an eyebrow raised as a whole subplot—our technical team emphasizes crisp lighting on facial detail and a mix that lets every pause land. The venue’s scale allows him to expand small observational beats into collective waves, yet our staging keeps the experience personal: a single figure in the light, puncturing pretension with a grin. In an era where comedy often lives on clips, this room privileges the full arc—the way a bit introduced early returns 40 minutes later with a twist. We have prepared the set to capture those callbacks, the thrown-away asides that become running gags, and the sudden riffs that erupt from the crowd. It’s the kind of precision that lets a comedian like Éboué play at speed and still be heard in every corner.

For those following his artistic trajectory, the nouveau spectacle reflects the same restless curiosity that powered his work on Barbaque and the unflinching stage persona refined from his earliest club days. What excites us as hosts is the breadth of material he now commands: topical without being tethered to headlines, personal without slipping into confession for its own sake. You will hear the teasing autopsies of social codes that made his interviews on Quotidien and Quelle époque ! so electric, but you will also find longer, more sculpted routines that sit alongside the bite of Adieu Hier and the no-prisoners spirit of Plus rien à perdre. Our programming team values comedians who can hold a mirror to the room—Éboué does that with relish, whether he’s skewering hypocrisy, poking at cultural clichés, or spinning an anecdote that detonates three beats later. The design we’ve built around him at L'Amphithéâtre 3000 is intentionally lean: nothing to distract from the craftsmanship of timing, the relish of the tag, and the sudden pivot that makes an audience laugh and flinch at once. In Lyon, that balance is everything—a live-wire exchange between an artist in full command and a crowd ready to meet him halfway.